Repertoire
- Nathaniel Stookey: Shadow Breaking, after the painting by Rachel Dwan
- Peter Josheff: Same Old Sadness, after a painting by Peter Canty
- Michael Panther: Oil on Canvas, after a painting by Paul Gibson
- Libby Larsen: The Only Way Through is Slow, after a painting by Nikki Vismara
- Trevor Weston: Notre Dame au milieu de l’eau et du ciel, after a painting by Albert-Marie Lebourg
- Jim Stephenson: Guillaumin, after a painting by Armand Guillaumin
- Evan Price: Blue Swan, after a sculpture by Sean O’Donnell
- Cindy Cox: Into the Light, after a painting by Victoria Veedell
- Shinji Eshima: The Collection, after a painting by Paul Gibson
- Eric Schwartz: Placed Into the Abyss, after a painting by Paul Gibson
- Edmund Campion: SPLITS (Le Grand Ècart), after a pastel drawing by Ludovic-Rodo Pissarro
- David Mecionis: Couple au lit, after a painting by Jean-Louis Forain
- Linda Marcel: Raven’s Dance, after a painting by Nina Fabunmi
- Maija Hynninen: Island, after a painting by Elaine Pratt
- Jose Gonzalez Granero: Cadenza II, after a painting by Robert Antoine Pinchon
- Emily Onderdonk: Arredondo, after a mixed media collage by Carrington Arredondo
- Jacques Desjardins: Émergence, after a painting by Susan Bostrom-Wong
- Catherine Neville: Idyll, after a painting by Paulémile Pissarro
- Catherine Neville: Danses, after the lithograph by Henri Fantin-Latour
- Jessica Mays: And miles to go…, after a painting by Albert Malet
- Michael Panther: Pastel Lake, after a pastel by George Manzana Pissarro
- Allen Shearer: Forest Scene, after a painting by Paul Cézanne
- Riccardo Santoboni: Sol-o, after a painting by Salvador Dalì
- Etienne Rolin: Synaptic Sonata, after a painting by Etienne Rolin
- Ursula Kwong-Brown: Ram’s Head, Blue Morning Glory, after the painting by Georgia O’Keefe
- Matthew Evan Taylor: pneuma iii, after a painting by Molly Zuckerman-Hartung
- Cindy Cox: what music the stops allow, after a work by John Campion
- Daniel Darmesin Flanagan: The Magpie (String Quartet #1), after the painting by Claude Monet
- Daniel Darmesin Flanagan: Tamayo (String Quartet #2), after a painting by Rufino Tamayo
- Daniel Darmesin Flanagan: Water Lilies (String Quartet #3), after the painting by Claude Monet
- Daniel Darmesin Flanagan: Tamayo, for string trio, after a painting by Rufino Tamayo
- Daniel Darmesin Flanagan: Monterey Sentinels, after the painting by Joaquin Turner
- Daniel Darmesin Flanagan: An Animated Street in Autumn, after the painting by Jean-François Raffaëlli
- Daniel Darmesin Flanagan: “Timeless,” Rhapsody in Discomfort #5, after a sculpture series by Sean O’Donnell
- Daniel Darmesin Flanagan: Inevitable Entails, after the mixed media painting series by Beth Davila Waldman
- Daniel Darmesin Flanagan: Nue aux Cheveux Roux- Hommage á Henner
- Daniel Darmesin Flanagan: “Ehrlichia,” Rhapsody in Discomfort #6, inspiring a painting by Nancy Schroeder
- Daniel Darmesin Flanagan: Perlmutter, after a painting by Jennifer Perlmutter (commissioned by Gold Coast Chamber Players)
- Daniel Darmesin Flanagan: Hymn, after a drawing by Camille Pissarro
- Daniel Darmesin Flanagan: Ethereal Explorations, after the sculpture by Rebecca Fox (commissioned by Shipyard Trust for the Arts)
“Flanagan is a true Renaissance man… His generosity and intelligence informed the entire program… Every aspect of the production was thoroughly professional and of a high quality, yet presented in a relaxed and engaging way… The selected paintings were displayed clearly on a large screen. Before each composition, the violinist rendered a brief introduction, with personal notes about the visual and musical artists… Mr. Flanagan brought this to life convincingly.”
-David LaMarche, New York Concert Review